Editing McCoy Tyner (section)

== Coltrane Quartet ==

Tyner joined John Coltrane's quartet in 1960, beginning a five-year collaboration that produced some of jazz's most significant recordings. Albums including "My Favorite Things," "Live at the Village Vanguard," "Crescent," and "A Love Supreme" documented the quartet's extraordinary achievements, with Tyner's piano providing the harmonic foundation for Coltrane's increasingly adventurous explorations. The rhythm section of Tyner, bassist Jimmy Garrison, and drummer Elvin Jones became jazz's most influential unit, their interplay setting standards that subsequent groups would strive to match.<ref name="porter"/>

Tyner's role in the quartet extended beyond accompaniment to include compositional contributions and shaping the group's overall conception. His modal approach—building improvisations from scales rather than chord progressions—aligned perfectly with Coltrane's explorations, the two musicians thinking in similar harmonic terms while maintaining distinct individual voices. The power and drive of Tyner's playing matched the intensity of Coltrane's saxophone, creating a dialogue that pushed both musicians toward new discoveries.<ref name="rashid"/>

The quartet's influence on jazz was profound and lasting. Their recordings established approaches to group interaction, harmonic freedom, and spiritual intensity that subsequent generations would explore. Tyner's piano style, in particular, became the dominant influence on jazz piano for decades, his percussive attack and modal voicings absorbed by pianists who sought to match the power of Coltrane's conception. His Philadelphia roots, shared with Coltrane, connected both musicians to a community that had nurtured their development.<ref name="porter"/>